In Elizabethan England, the idea of such relationships would have been unusual and considerably more absurd than a modern audience may appreciate. Lastly, I will argue that the final act, through a series of improbable turns of plot and phrase, exposes the failure of heterosexual "regimes ever fully to legislate or contain their own ideals.
Being the obedient wife that she was, Desdemona would never dare pin her death onto her husband. In Twelfth Night, we see a woman who is pretending to be a man. Since their deaths go against the typical norms of their genders, Shakespeare is able to prove that they were so united as one that they blended together, making it unnecessary for there to be a difference in the genders.
In keeping with the conventions of Elizabethan comedy as a whole, the play resolves in heterosexual marriage; yet, despite references to Viola in female clothing, this never actually happens.
In Act 1, scene 4, while discussing their feelings about the idea of love, Mercutio tells Romeo, If love be rough with you, be rough with love; Prick love for pricking, and you beat love down.
I,iii, To make such a statement like this one while being the only female character on stage is quite a feat, and would be considered an act of great bravery.
In Renaissance literature, it is very common to find characters who live by the guidelines of gender. Cesario's refusal sets up the classic situation of the beloved as an object of unattainable perfection for the lover to praise. Overall, while some critics argue Viola is the most developed of the characters in Twelfth Night, for she is not constrained to a stock character, this inevitably adds an oblique side.
Olivia praises Cesario's beauty and then addresses him with the belief that his "scorn" 3. Like any good woman in Renaissance literature, Desdemona was loyal to her husband in life, and with death, still remains loyal to his will.
Initially, Butler questions the idea that there is an essential, prediscursive subjectivity that attaches to the biology of either male of female, arguing that the "production of sex as the prediscursive ought to be understood as the effect of the apparatus of cultural constructions designated by gender.
Coincidentally, Shakespeare writes a death for Desdemona that goes hand in hand with the sin that she was accused of committing; foul play in bed.
As Cesario, Viola was able to get close to Orsino and helped him to open up and share his emotions. The presence of twins of different sexes yet identical in appearance is a dramaturgical device crucial to the comic resolution, whilst being somewhat farcical.
The performance of cross-dressing can be disruptive, Butler argues, to the extent it "reflects the mundane impersonations by which heterosexually ideal genders are performed" or "exposes the failure of heterosexual regimes ever fully to legislate or contain their own ideals" The performance of cross-dressing can be disruptive, Butler argues, to the extent it "reflects the mundane impersonations by which heterosexually ideal genders are performed" or "exposes the failure of heterosexual regimes ever fully to legislate or contain their own ideals" It is unfortunate to see a character who is as bright as Desdemona fall a victim to the classic standard of woman during this period of literature.
Also, it is in this quote that we as the reader see the true nature of man in this time. The gender switch serves to emphasize the impossibility of love within a structure which demands that the object of desire must refuse in order to remain desirable.
Though he loves her, to show this sort of love to another man was not something that was acceptable.
Perhaps the line sends and follows both messages. I, iv, For Romeo to be able to cast his old lust of Rosalind aside and to replace it with Juliet so quickly is an attribute that most men of the time were unable to possess.
This idea goes hand in hand with his many other feminine characteristics.
As a wife, a woman passed to the guardianship of her husband, who controlled any land she brought to the marriage" Fritze In his first words to Juliet, Romeo says, If I profane with my unworthiest hand This holy shrine, the gentle sin is this, My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss.
In Elizabethan England, the idea of such relationships would have been unusual and considerably more absurd than a modern audience may appreciate. Olivia swears by "everything" that her passion cannot be restrained even by reason while simultaneously admiring Cesario's resistance Shakespeare is able to pose the question of homosexual love by using "Cesario" as a shield to protect both the characters within the play and the audience from having to deal with the question directly.
Love is sought from Viola and never received, but "given unsought" by Sebastian who is truly unsought because he doesn't even exist for Olivia until the end of the play.
However, when reading the works of William Shakespeare, one can sense a riff in the norms of either sex.
Desdemona, in an attempt to save her life, tries to reason with her husband, but to no avail. Gender Roles in Twelfth Night This Research Paper Gender Roles in Twelfth Night and other 64,+ term papers, college essay examples and free essays are available now on elleandrblog.com Autor: review • December 19, • Research Paper • 2, Words (9 Pages) • 2, Views.
Twelfth Night Essay While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles.
Essay on Twelfth Night: A Gender-Bending Journey - Twelfth Night: A Gender-Bending Journey Shakespeare enjoyed writing passionate plays about young lovers, but, after a while, the formula became exhausted and the Bard was forced to dig deeper, creatively speaking.
Essay on Twelfth Night: A Gender-Bending Journey - Twelfth Night: A Gender-Bending Journey Shakespeare enjoyed writing passionate plays about young lovers, but, after a while, the formula became exhausted and the Bard. is a series of essays that critiques the characters in Twelfth Night.
Frye's publication is the first that addresses self-knowledge, more specifically the self-knowledge of Orsino, Olivia, and Viola.
Shakespeare's Twelfth Night: Disguise, Gender Roles, and Goal Setting Shakespeare is perhaps the greatest playwright that ever lived.
His plays were fascinating and brilliantly written. In Shakespeare's plays, one notable character wears a literal disguise to accomplish a goal, while others use figurative disguises (Markels 63).Twelfth night gender essay